How to Get a
Press Pass
for Fashion Week
Paris · Oct 2–3 · Espace Cléry
Los Angeles · Oct 16–18 · The Lot Studios
To get a press pass for fashion week, apply directly with the event's producer. The Bureau Fashion Week — producer of New York, Los Angeles, and Paris Fashion Week — takes press applications through a public form: submit your name, outlet, role, and links to published work. Credentials are complimentary and applications are reviewed within 48 hours. Approved media get full venue access, runway-side photo positions, backstage coordination, and a personal RSVP portal. No outlet? You don't need a press pass to attend — public tickets are the second door, open to everyone.
There Is No Single “Fashion Week Press Pass” — There Are Producers
The first thing to understand is structural. Fashion week was literally invented for the press — the original 1943 New York event was called Press Week — but there has never been one central office issuing credentials for “fashion week” as a whole. Each week is a calendar of shows staged by different producers, and each producer accredits its own media. Legacy brand shows handle press through PR agencies and personal invitations. Independent producers with public accreditation, like The Bureau, handle it through an application.
That means the practical question isn't “how do I get a fashion week press pass” — it's “which producer's shows do I want to cover, and what is their accreditation process?” For The Bureau's officially calendared weeks in New York, Los Angeles, and Paris, the process is a single public form, the credential is free, and the review takes 48 hours. No PR agency contact required, no masthead minimum, no favors.
And if you're reading this as a fan rather than working media: you don't need a press pass at all. The Bureau's shows release public tickets every season — that route is covered in section 07, and in full in the how to attend NYFW guide.
The Bar Is Published Work, Not a Famous Masthead
Press and media accreditation at The Bureau is open to journalists and content creators who regularly contribute to editorial platforms. In practice, approvals span three broad lanes:
| Writers | Reporters, editors, critics, and reviewers — staff or freelance — covering fashion, style, or culture for publications, digital outlets, or established blogs. |
| Visual media | Photographers and videographers who shoot for outlets or run their own editorial platforms. Portfolio links matter more than titles here. |
| Producers | TV, podcast, radio, and digital-video producers creating segments, episodes, or documentary coverage around fashion week. |
Two honest notes on the bar. First, independent creators qualify — a consistent YouTube channel, Substack, podcast, or photography platform with real published fashion coverage is an editorial platform. What reviewers look for is a body of work and a credible plan to cover the event, not a corporate email address. Second, thin applications are the main reason for denials. An application with no links, a dormant platform, or a vague “I post about fashion sometimes” reads as a free-ticket attempt — because it usually is. Every application is individually reviewed; approval is never automatic, and decisions are final for the season.
Also worth knowing before you apply: each person applies separately (a two-person crew needs two approvals), and credentials are non-transferable — lending your pass out disqualifies you from future events.
One Form, 48 Hours, Then an RSVP Portal
The mechanics are deliberately simple. Here is the entire pipeline from application to walking into the venue:
| 1. Apply | Open the press application, select your event — New York, Los Angeles, or Paris — and submit your name, outlet, role, and links to published work. |
| 2. Review | Applications are reviewed within 48 hours. Every application is read by a person; you're notified of your status by email. |
| 3. RSVP | Approved media receive a personal RSVP portal — select the specific shows you plan to cover across the event's show days. |
| 4. Check in | Your portal issues QR codes for check-in. On show day, present your QR at the press desk for priority check-in — no printed credentials to collect. |
| 5. Coordinate | On site, the media liaison schedules backstage access and designer interviews around your shot list. |
Three application tips that materially raise approval odds. Send your strongest links, not your most recent — reviewers click two or three URLs, so lead with published fashion or event coverage. Be specific about output: “runway galleries for X and a backstage interview feature” beats “general coverage.” And complete every field — incomplete applications are an explicit denial reason. One more logistical note: apply early. The 48-hour review is fast, but show RSVPs, travel, and backstage scheduling all happen after approval, and covering each city means a separate application per market.
What the Credential Actually Gets You Inside the Venue
A Bureau press credential is a working tool, not a VIP upgrade. Here is exactly what it covers:
| All-access entry | Full venue access across all show days, with priority check-in at the press desk. |
| Photo pit | Designated runway-side media positions for professional photography and videography. |
| Backstage | Backstage access with media credentials, coordinated by an on-site media liaison — including designer interview scheduling. |
| Press kit | Digital press kit with event fact sheets, official logos, venue photos, and designer bios — also available in the official Press Room. |
| RSVP portal | Personal portal to select shows, manage RSVPs, and receive QR codes for check-in. |
And, just as important, what it does not include — so nobody plans around access they won't have: no guaranteed seating for panels and special events, no line-skipping privileges, no early or special venue access, and no entry to separately ticketed events like the after parties. Special accommodations must be arranged directly with The Bureau's management team in advance. Entry across show days is subject to availability — another reason to RSVP for your shows early through the portal.
The Rules You'll Work Under — Read Them Before Show Day
Bureau events run photographer-friendly rules, but they're real rules — and knowing them in advance is the difference between a smooth shoot and a conversation with security.
| Runway | Every look may be photographed and filmed from designated media positions. No flash. |
| Backstage | Accessible with backstage media credentials — coordinate timing with the media liaison on site. |
| Red carpet / venue | Open for photography throughout the event. |
| Equipment | DSLR and mirrorless cameras permitted. Monopods allowed runway-side; tripods in designated areas only. |
| Embargo | None for general coverage. Designer-specific embargoes are communicated individually. |
| Credit | All published media must credit the specific event name and The Bureau Fashion Week. |
If you're shooting, the NYFW photography guide covers the craft side — settings for runway lighting, positioning, and how the pit actually operates during a show.
One Producer, Three Fashion Weeks — Apply Per City
The Bureau produces officially calendared fashion weeks in three global markets, and the same application form covers all of them — you select your event in the form's dropdown, and each city you cover needs its own application.
| New York | September 11–13, 2026 · Gotham Hall, 1356 Broadway — the flagship season: 11 runway shows, 100+ designers, inside a 1924 Beaux-Arts landmark in Midtown Manhattan. An NYFW press pass covers all three show days. |
| Paris | October 2–3, 2026 · Espace Cléry, 2nd arrondissement — The Bureau's Paris season, staged twice yearly (March & October) in the heart of the city's historic garment district. |
| Los Angeles | October 16–18, 2026 · The Lot Studios, West Hollywood — the LA season, twice yearly (March & October), on one of Hollywood's historic studio lots. |
For international coverage runs, note the October calendar: Paris closes on the 3rd and Los Angeles opens on the 16th, which makes a two-city season entirely workable. Comparing the weeks themselves? The NYFW vs. LAFW and NYFW vs. Paris guides break down how the markets differ.
You Don't Need a Press Pass to Be in the Room
Here's the part most “how to get press credentials” articles won't tell you: if your goal is simply to experience fashion week, you don't need a credential at all. The Bureau's shows in all three markets release public tickets every season — roughly 40% of attendees are first-timers, and guests rate the experience 4.9/5 across 2,400+ reviews. A ticket is your access. No application, no review, no outlet.
And if your goal is a press pass eventually, the ticket route is also the honest bootstrap. Accreditation runs on published work, so create some: buy a ticket, shoot the runway from your seat (guest photography is welcome), write the review, cut the vlog, publish it on your platform — and apply next season with real fashion week coverage in your links. That portfolio loop is exactly how independent creators cross from the audience to the photo pit. The NYFW for creators guide covers content strategy from a regular seat, and who can attend NYFW explains the open-access model in full.
One warning while you're here: never pay for a “press pass.” Legitimate accreditation from The Bureau is complimentary. Anyone selling fashion week press credentials — or offering to transfer theirs — is selling something that won't scan at the door, since passes are non-transferable and individually issued.
Two Doors. Pick Yours.
Working media: press credentials are complimentary and reviewed within 48 hours — New York, Los Angeles & Paris Fashion Week. Everyone else: public tickets are on sale now, no credentials required.
Apply for Press Credentials
